Smoke On The Water — One String Guitar Tab
Deep Purple
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Practice Tips
- 1Start slow — use the 0.5x speed option
- 2Focus on one note at a time
- 3Keep your fretting hand relaxed
Similar Melodies
About This Melody
Smoke On The Water by Deep Purple is widely considered the most famous guitar riff of all time. Released in 1972 on the album Machine Head, it's the riff that has launched millions of guitar journeys — chances are, it was the first thing someone played in every guitar store you've ever walked into. The four-note motif is so iconic that most people can hum it even if they've never touched a guitar. This one-string version uses the 3rd (G) string and frets 0 through 6 — just 12 notes with a tiny fret range, making it the ultimate starter riff for anyone picking up a guitar for the first time.
How to Play
- This melody uses just the 3rd string (G string) of your guitar. The fret sequence is: 0, 3, 5, 0, 3, 6, 5, 0, 3, 5, 3, 0.
- The riff is built from three short phrases that all start the same way: open string (0), fret 3. This repeating opening makes it very easy to remember.
- First phrase: 0, 3, 5. A simple three-note climb. Let the last note (fret 5) ring before moving on.
- Second phrase: 0, 3, 6, 5. Same start, but this time climb one fret higher to 6, then step back to 5. This is the moment that gives the riff its signature tension.
- Third phrase: 0, 3, 5, 3, 0. The riff goes up and comes back down to where it started — a satisfying resolution on the open string.
- The original tempo is around 112 BPM with a steady, mid-tempo rock groove. Start slowly and focus on the pauses between phrases — Smoke On The Water has a deliberate, spaced-out rhythm. Each phrase should feel like its own statement, not a continuous stream of notes.
Common Mistakes
Playing all the notes in a continuous stream without pauses — the original riff has clear gaps between the three phrases. Let each phrase breathe before starting the next. Missing fret 6 in the second phrase — it's the only time this fret appears, and it's what makes the second phrase different from the first. Hitting 5 instead of 6 flattens the riff. Rushing the final phrase — the descent from 5 back to 0 should feel like a resolution, not a race. Slow down as you walk back. Playing on the wrong string — this riff uses the 3rd (G) string, which is the thickest of the unwound strings, sitting in the middle of the fretboard.