You're Beautiful — One String Guitar Tab
James Blunt
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Practice Tips
- 1Start slow — use the 0.5x speed option
- 2Focus on one note at a time
- 3Keep your fretting hand relaxed
Similar Melodies
About This Melody
You're Beautiful by James Blunt is one of the most recognizable ballads of the 2000s. Released in 2005 from the album Back to Bedlam, it became a global number-one hit and an inescapable radio staple. The song's gentle, lilting melody perfectly matches its bittersweet lyrics. This one-string version uses the 3rd (G) string and frets 0 through 10. The melody is built almost entirely on one repeating three-note motif — 8, 7, 8 — that appears three times, each launched from a different starting point. With just 14 notes and a single pattern to learn, it's one of the most approachable melodies on the site.
How to Play
- This melody uses just the 3rd string (G string) of your guitar. The fret sequence is: 0, 8, 7, 8, 0, 8, 7, 8, 10, 8, 7, 8, 0, 1.
- The core of this melody is one three-note motif: fret 8, fret 7, fret 8 — a quick dip down and back up. Learn this first — once you have it, you know most of the song.
- First phrase: open string (0), then the motif (8, 7, 8). The jump from 0 to 8 is the biggest move in the melody.
- Second phrase: identical — open string (0), then 8, 7, 8 again. Repetition makes this incredibly easy to remember.
- Third phrase: the variation. This time start on fret 10 instead of the open string, then play the same motif (8, 7, 8). Fret 10 is the highest note and the emotional peak.
- End with open string (0), then fret 1. This unexpected low note gives the melody a gentle, unresolved close.
- Play softly and let each phrase breathe. The original tempo is around 84 BPM. The 8, 7, 8 motif should feel like a single lilting gesture — light and graceful, not choppy. Focus on making all three repetitions of the motif sound consistent.
Common Mistakes
Making the 8, 7, 8 motif sound uneven — since this pattern repeats three times, any inconsistency is immediately noticeable. Practice the motif in isolation until all three repetitions sound identical. Struggling with the jump from open string to fret 8 — this eight-fret leap happens twice. Slide your finger up confidently rather than hesitating. Missing the variation in the third phrase — the first two phrases start on the open string, but the third starts on fret 10. This is the moment that lifts the melody, so make sure fret 10 rings clearly. Ignoring the ending — fret 1 after the open string is a surprising, quiet close. Don't rush past it.
Who Is This For
Tablature
3rd string (G)
0 — 8 — 7 — 8 — 0 — 8 — 7 — 8 — 10 — 8 — 7 — 8 — 0 — 1